Wednesday, December 30, 2020
Let It End
Sunday, December 20, 2020
Paper: Masculinity and Violence Against LGBTQI
Hi folks. it's been a nasty few weeks, as the semester ended. I had several papers due, and the Darkness slammed me hard at the same time. I learned that several friends have Covid, including one of my dearest friends.
In any case, this is one of the papers I wrote for a course called "Psychology of Gender/Sex." Got an A on the paper. This is an example of a "literature review" which means I read a bunch of articles and synthesized their meanings. Usually such things are used in introductions to scholarly articles and dissertations and such. Oh, and for classes.
So here for your dining and dancing pleasure is a sample of my academic writing. If it doesn't put you to sleep, see a doctor.
Did I mentioned it snowed? It snowed.
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Masculinity and Violence Against LGBTQI
Introduction
Each
of the last four years, violence against LGBTQI
(Lesbian/Gay/Bisexual/Transgender/Intersex/Queer) people in the United States
increased. In particular, violence against
transgender people increased dramatically, with both number of incidents and
deaths sharply higher. One of my
research goals for this course of study is to determine possible causes for the
violence and murder of transgender women in particular. For this paper, I examine the role of
masculinity in anti-LGBTQI violence, and review what the literature
states. This review is not
comprehensive, as every time I researched a citation, I found many more
citations which led deeper. For the sake
of time, I limited the scope of my search.
I
write this paper acknowledging the limitation of possible bias, as I am a
transgender woman. I also acknowledge my
privilege as a person of white, western European ancestry, and that the land
where I wrote this was once home to the Susquehannock people.
Violence
Homophobia/Transphobia
When
discussing violence against LGBTQI people, one must first define some
terms. The first is Homophobia, defined as “fear, aversion, or discrimination against
homosexuals” (Definition of HOMOPHOBIA, para.1). A
subset of this is Homophobic Masculinity, which is heteromasculinity centered
within homophobia, “especially pervasive in contexts where men share close
proximity with other men and feel the need to prove that they are heterosexual,
as in the case of both male athletes and fraternity members. (Worthen, 2014, p. 185) Transphobia
is defined as “emotional disgust toward individuals who do not conform to
society’s gender expectations” (Hill, 2002, as cited by Nagoshi et al, 2008, p.
521).
Buck &
Nedvin (2017) write:
“…transgender
identity is not defined by sexual or romantic behavior… however, because of their
association with LGB individuals, and because they challenge traditional views
on the nature of sex and gender, they may pose similar social threats” (p.
642).
Violence
against LGBTQI
Homophobia and transphobia can lead to violence. In 2019, the FBI reported 1,395 hate crime
offenses based on sexual-orientation bias. There were 224 based on Gender
identity. (2019, table 1). In the USA
during 2019, there were 21 known murders of transgender people. (“Violence Against the Transgender Community
in 2019,” para.2) I write known, because
transgender victims are often misgendered in death by newspapers and the
police. (“Violence Against the Transgender
Community in 2019”) Also in the USA,
there have been 42 murders so far (“Violence Against the Transgender Community
in 2020,” para.1) That’s a 95% increase in one year. Between the time of my presentation of this
paper, and the final submission, another transgender woman was found murdered.
Violence against
Transgender
Stotzer
(2008) writes “In the case of hate crimes against transgender individuals,
violence based on people’s gender identity sends a clear message about the perceived
worth and status of the victims as human beings” (p. 47). This leads to many psychological problems
among transgender people, but that topic is outside of the scope of this paper.
According
to a landmark survey conducted by the National Center for Transgender Equality
(NCTE),
“nearly
half (48%) of all respondents in the sample reported being denied equal
treatment, verbally harassed, and/or physically attacked in the past year
because of being transgender. Nearly
half (46%) of respondents reported that they were verbally harassed in the past
year because of being transgender. Nearly
one in ten (9%) respondents reported that they were physically attacked in the
past year because of being transgender. Nearly
half (47%) of respondents have been sexually assaulted at some point in their
lifetime (James, et al, 2016, p. 197).
Disclosure: I was one
of the 27, 715 people who answered this survey.
Masculinity Defined
Like most phenomena in nature, masculinity defies a
simple explanation. The term masculine
means “pertaining to or characteristic of a man or men” (“Definition of
Masculine | Dictionary.Com,” para.1).
However, many varieties of masculinity exist. For this paper, I use four definitions.
• Normative Masculinity:
“the behaviors and expectations culturally associated with boys and men” (Rubin
et al, 2020, p. 1). Normative
masculinity is the baseline of how men see themselves and conduct
themselves.
• Hegemonic
Masculinity: “a specific form of masculinity in a
given historical and society-wide social setting that legitimates unequal
gender relations between men and women, between masculinity and femininity, and
among masculinities” (Messerschmidt, 2019, p. 86).
• Hypermasculinity:
“an overemphasis and exaggerated adherence to the traditional male gender roles
established by an outdated societal view… often associated with aggression
towards women and other men who violate the traditional gender norm” (Zernechel
& Perry, 2017, p. 3). Many transgender
women practice this while in denial of their identity, including myself (Brown,
1988).
• Fragile/Precarious
Masculinity: the idea that “that manhood, in
contrast to womanhood, is seen as a precarious state requiring continual social
proof and validation” (Rubin et al, 2020) (Vandello et al, 2008, p. 1325).
Masculine Violence
The
reason for this paper’s focus on violence perpetrated by men is that males
between 18-30 commit most of the anti-LGBTQI violence. (Conlin et al, 2020)
(Jakupcak, 2008) (Parrot et al, 2011) (Parrot et al, 2011)(Stotzer, 2008)
(Tebbe & Moradi, 2012). These ages
were determined by survey data of perpetrators (Dunbar, 2003), statistics of
the crimes (Stotzer, 2008), or self-reported (Jakupcak, 2008). Due to time limitations, I was unable to
determine the reason why men of that specific age range commit the most
crimes. Instead, I focus on possible reasons
that men attack LGBTQI people.
The
literature focuses on three possible masculinity threats which lead to
violence:
·
Challenge
to Status/ Toughness/ Anti-femininity (Cheryan et al, 2015)
(Parrot et al 2008) (Parrot et al, 2011) (Vandello, et al, 2008) (Worthen,
2014);
·
Defending
the Gender Binary (Nagoshi, et al, 2008) )(Parrot et al 2008)
·
Gender
Role Stress. (Jakupcak, 2003) (Rubin et al, 2020)
(Worthen, 2014)
Challenge to Status/Toughness/Anti-femininity.
Men
feel that their manhood is challenged by other men who don’t conform to the
social norm of masculinity (Cheryan et al, 2015) (Parrot et al 2008) (Parrot et
al 2011) (Vandello, et al, 2008) (Worthen, 2014). This is especially prevalent in situations
where men are in close knit groups like sports teams and fraternities (Worthen,
2014). Many men feel that manhood is the
opposite of femininity and that homosexual men / transgender women violate this
(Harrison & Michelson, 2018) (Parrot et al, 2008) (Parrot et al, 2011)
(Woodford et al, 2012). Parrot et al
(2011) write that this is the “the most critical component of one’s masculine
identity” and “because men equate homosexuality with femininity… men’s
rejection of femininity is synonymous with their rejection of homosexuality
(regardless of the sexual-minority person’s gender)” (p.42). Stotzer (2008) writes that the most common
slurs said by perpetrators of anti-LGBTQI violence are “homosexual slurs or
pejoratives”, while second most common insult are “gender based slurs”
(p.47).
Another aspect of this challenge may be
that men see LGBT as threats to the possibility of successful mating (Buck
& Nedvin, 2017). In other words, if
a man doesn’t have a chance to procreate with a person, that person may be a threat,
or is useless to him.
Defending the Gender Binary
Morgenroth et al (2020) define the gender
binary as “the
belief that sex is binary and directly determines gender” (p. 1). They also write “Individuals who violate these
expectations… are often harshly punished” (pp. 1-2). Men who assault LGBTQI people share many
traits, including a strong belief in the gender binary, strong religious
beliefs, high identification with masculine traits (Nagoshi, et al, 2008)
)(Parrot et al 2008), as well as “right-wing authoritarianism… and hostile
sexism” (Nagoshi et al, 2008, p. 521).
These men also wish to preserve their societal position of dominance
over women (Conlin et al, 2020) (Morgenroth et al, 2020) (Tebbe & Moradi,
2012) (Worthen, 2014). This is where
hypermasculinity often plays a role (Zernechel & Perry, 2017), as the
challenge to the gender binary is seen as a person challenge to their
manhood. They seek closure and the
re-establishment of the separation of genders that is a major part of their
psychological underpinning (Morgenroth et al, 2020) (Tebbe & Moradi, 2012),
which leads to violence (Jakupcak, 2003) (Parrott et al, 2008) (Parrott et al,
2011). Hypermasculinity is common with
athletes and fraternity members, which I saw personally during my undergraduate
years as a member of a fraternity (Corprew III & Mitchell, 2014) (Worthen,
2014). In my case, hypermasculinity is
the main reason I joined a fraternity. I
thought that by joining, my ‘dark secret” of femininity would be further
obscured from view.
Gender
Role Stress
Manhood in western culture is not an
absolute. Vandello et al (2008) writes “It
might be said that womanhood happens to girls, via a series of inevitable
physical and biological changes, but manhood is something that boys must make
happen, by passing certain social milestones” (p. 1325). As manhood isn’t a given and is “earned”, it
can therefore be lost (Schmitt & Branscombe, 2001) (Jakupcak, 2003)
(Vandello et al, 2008). This was one of
my greatest fears growing up, and what caused me to overcompensate with
hypermasculine behavior. One of the
social milestones I completed was being initiated into a fraternity, which
signaled that I endured the rigors of hazing during my “pledging”, and was
entitled to be seen as a man among my peers: part of the brotherhood. (Corprew III & Mitchell, 2014) (Schmitt
& Branscombe, 2001) (Worthen, 2014)
Jakupcak (2003) writes that
“Masculine gender role stress can result from situational demands or global self-appraisals
in which culturally defined schemas of masculinity are violated” (p. 533). This is where fragile/precarious masculinity plays a major role. Rubin et al (2020) write that “not living up
to masculinity norms has consequences for self-esteem and as a result, some men
experience discrepancy stress when they fail to behave in accordance with what
it means to be a man” (p. 2). In
addition, gender role stress “can result from situational demands or global
self-appraisals in which culturally defined schemas of masculinity are
violated” (Eisler & Skidmore, 1987, as cited in Jakupack, 2003, p. 251).
Harrison
& Michelson (2018) write that how much a person’s identification as
masculine is a strong indicator of how they’ll think and act toward transgender
people. These people may be insecure in
their status among their peers, and respond violently (Jakupcak, 2003) (Parrott
et al, 2008) (Parrott et al, 2011). They
believe this aggression will lead to acceptance by their peer group (Corpew III
& Mitchell, 2014) (Rubin et al, 2020) (Schmitt & Branscombe, 2001) in
addition to satisfying their inner cognitive dissonance (Morgenroth et al,
2020).
Conclusion
The literature shows what is obvious to any person who is
socialized as a male: that normative masculinity is a narrow and complex
process which begins at birth, and one which must be re-affirmed constantly (Parrott
et al, 2008) (Rubin et al, 2020) (Vandello et al, 2008, p. 1325). Failure means that the person isn’t a “real
man” and could lead to being ostracized or worse (Morgenroth et al, 2020). Men aren’t permitted to show emotion or
weakness, and to do so is perceived as “feminine” (Cheryan et al, 2015)
(Jakupcak, 2003) (Morgenroth et al, 2020).
While I was growing up, the worst insult that a boy could give another
boy was anti-feminine (‘runs like a girl,” “wuss,” “pussy”, etc.) or to call
them a homosexual (one of the many anti-gay slurs), which was seen as the same
thing (Parrot et al, 2011). A boy was
expected to instantly retort or fight physically, therefore proving his
manhood. As a side note, I remember
hearing somewhere that men insult each other by insinuating that other guys are
feminine, while women insult each other using feminine slurs. Therefore, the worst insult is to be a
woman. Hegemonic masculinity writ large!
Not all men subscribe to
this narrow view of masculinity (Vandello et al, 2008) (Woodford et al, 2012)
and have the confidence to live their lives not caring what other people think
of them. Also, the majority of men does
not react violently to LGBTQI people, nor react to them as a threat. One of the key factors here is actually
knowing an LGBTQI person (Woodford et al, 2011).
However, enough men feel
the pressure of their manhood as gender role stress, and feel that they must
maintain their social standing as men: normative masculinity. From this subset of men arise those who
attack LGBTQI people. These are the hegemonic
and hypermasculine, who’s fragile self-view of their masculinity lead them to
over-compensate and lash out violently.
LGBTQI people are often the victims, especially transgender people. Historically, such violence may or may not have
been punished, due to such concepts of “gay panic defense” and “trans-panic
defense” which are still legal in some states, and due to the outsider status
of LGBTQI people.
With the rise of gay rights, many more people now
know someone who is gay/lesbian, and these people are more tolerant. Society still isn’t at that point with
transgender people, especially transgender women. Perhaps this is why so many transgender
people experience violence.
With this paper, I described different possible
explanations for anti-LGBTQI violence.
Hundreds, if not thousands of studies were performed and continue to be
done trying to illuminate the causes of this phenomenon, determining the three
major “masculinity threats” I’ve detailed.
More studies about anti-transgender violence emerge all the time, which
fills a gap in the literature. My next
step is to review that literature, and hopefully someday add to it with my own
work. I dream of a day when transgender
women are seen as just women, and that women are seen as the equals of
men. If my struggles and sacrifices help
toward that goal, I will consider them worthwhile.
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Buck, D. M., & Nedvin, M. A. (2017). The Impact
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Monday, November 30, 2020
Thoughts in a Hot Autumn
Wednesday, November 25, 2020
SG@A: the Rest of the Story
Seems my last post triggered good memories. I post the following with the kind permission of the authors.
Oh, helps if you read the original entry: Space Goop at Acacia.
I'll lead off with two of the people making the music.
J.R. Mangan: (vocals/guitar: Space Goop): "Now that was a great day."
Mike Biddeson: (1/2 of brother part of Space Goop) Brian shared your blog. Really fun piece. We had such a blast that day but it is really cool to experience the event through your eyes as well as others who have commented. I tried to make a comment on the Facebook post/blog but didn't see a spot to do it. So a couple of fill in the blanks...
I played bass and guitar. JR and I switched. At first it was because it was determined by who learned the song and sang lead vocal on a song, but then it became a ridiculously dramatic beer infused monk chant when we switch guitars, usually inexplicably being accompanied with a flying lobster. Who knows why these things happen.
The Acacia guys were such fun and that was a very generous event to gift the community with. Dave and I went onto rejoin our old band Ticapoo Brain which was joined by Beth Williams (before she lost her h). Then we started making music with Kevin Slick (who I think sat in with Goop on the Acacia event) in Neo Pseudo which was more of an all original band. We moved to Philly and played clubs til the mid 90s. Neo Pseudo has lots of stuff on you tube. I still play with my brother in another all original band called the llama Dalis. You can find us on iTunes.
Anyway thanks for the awesome blast of memories. Great article and cool that your back in the valley.
PS I've been working on a book called "Zart, the art of everything" I'll keep you posted!
Mike Goop
Goop accidentally formed I think in the summer of 85 back in Mansfield where I was doing grad school in art ed and JR and Dave just finished undergrad. I think anyway. Very fluid time. Lots of moving and various band configurations.
Brian Hulek (Acacia Social Chair at that time): "I set a goal as a freshman to ‘have the biggest party at Penn State’ and that was the moment perhaps!
The band was at the end where Locust Lane passes the house and people were backed up all the way to the swimming pool at the frat next door. And our 2nd level deck was overflowing.
It was one of the best days ever for all involved. I had brothers who hated me crying and hugging me saying ‘It was the best day of their lives’. Every brother at Acacia got a supplementary bill at the end of the semester!😂
Oh yes. I had a VIP section up front with our own keg and pledge pouring.
[about the blog entry]: Unbelievably well done Sophie! YOU are now forever linked to the event!
Jeff Podeszwa: I’d like to add a few points.
I was a TKE pledge at the time and of course we were supposed to “work” that party. I think my station was, “make sure people aren’t drinking in the street” as the new law was being enforced. Hell Week was rapidly approaching and the abuse level was also ratcheted up a few notches. Upon arrival it was evident that all bets were off. The scene was akin to a grand music festival, not just a party but An Event. Like all great events, they don’t necessarily need to be planned, sponsored and promoted. An event to define the era. I’ve been to some big events Live Aid, Grateful Dead on New Years Eve, outdoor dance festivals at Mt. Fuji, but this one was special. I think the most I worked was getting beers for some brothers. It made no matter, as the music enveloped us we became equals, the physical plane lifted, only our souls danced. Floating spirits, spread out around the lawn, I don’t remember a single violent incident, or a face without a smile or a welcoming attitude.
“This is the reason I am here. I am here right now for this reason” was my brain’s explanation.
By rule, there were certain fraternity people we were not allowed to address without certain formalities, but that all flew out the window. Listening to the tape it is easy to see why, Can’t You See is a love letter to past relationships and hometowns, the reggae influenced Fire On the Mountain is a clever take on a difficult cover. The band was phenomenal, I’ll venture that the Walk on The Will Side>Can’t Always Get What You Want may have been the pinnacle of any live music I saw at PSU. And Goop did Good Lovin’>La Nacho> Good Lovin’ a full year before Garcia belted out La Bamba.
The angle of the sun, the feeling of youthful invincibility, that a future better than the present will always be waiting, yeah that optimism crystalized in two songs. But it happened.
Little did we know that this was not the Woodstock, rather it was the Altamont, the nadir of social life at PSU. The restrictions that followed turned Phi Psi 500 into a mere shell of itself and off-campus parties and fraternities would be hunted and vilified by the authorities in a manner yet unseen by the masses.
No matter, because for that beautiful day at Acacia, we shared that time, forever locked deep inside ourselves. And no one can ever take that away.
Thank you to Brian J Hulek for the tape and of course, J.R. Mangan and Space Goop for a real good time!
great blog Sophie Lynne!
My response to Jeff's bit: I'd say it WAS the Woodstock, as it may have been the peak of a generation. Thanks to Bryce Jordan (PSU president at that time) putting in draconian party rules, things were never the same. Now in my 50s, I sorta understand the why of it- litigation- but he handled it all wrong. By the time I graduated, it was a lot less fun. When I tell stories of back in the day to current undergrads, they can't believe it. Kegs at a party??
Skull Toga 1988
Stephanie Rado Taormina: Jeff Podeszwa omg! What a great post above from you! I haven’t thought about that day in over 30 years but you nailed it and we were lucky to have experienced it.. part of what makes us who we all are today in some way.
Laura Pace Lilley: Love this blog!!! I covered music for the Collegian so I agree that music really made our time there special...and takes ya right back...
Thanks to those who allowed me to share their memories of that day. And that's the thing- at Penn State in the mid-80s, this was in many ways just another Saturday. It was Phi Psi weekend which made it a bit special, yes, but seeing an amazing band at a party was a regular thing for us back then.
It really was a special time. Maybe that's why I wrote a book about it.
Friday, November 13, 2020
Space Goop at Acacia
I've posted bits from my book, Men of the Skull, on this blog occasionally. Even as thoroughly researched as that book is (VERY thoroughly), I couldn't put every niggling detail in there. In fact, it needs a strong edit because I put in far too many. The major reason is many of those details just wouldn't resonate with anyone except those who were there as well. For example, I can write all I want about a Grateful Dead show, but unless you were there, there's no way to write about everything so that it would be understood. It wasn't just the music- it was the "vibe", the feelings, the settings, the people... all of it made for the experience. Let's face it- the Dead weren't the most physically demonstrative or exciting band to watch! But that didn't matter.
In that same spirit, is Space Goop at Acacia. Among many people who attended PSU in 1986/7, that phrase means something. Like on that Star Trek TNG episode "Darmok and Jalad… at Tanagra" means something to the Tamarians who speak in metaphor. It's a cultural reference. Another example would be if I refer to swallows carrying coconuts- many get that right away, as I'm quoting a well known movie.
Space Goop at Acacia, 1986 Courtesy: B. Hulek
In any case, Space Goop was a band at Penn State in spring 1986 (I don't know how how long they lasted, as I found a reference to them in a March 1985 Daily Collegian article), but I know that by fall 1986, they'd broken up. Space Goop was JR Mangan (guitar), Mike (bass) and Dave (drums) Biddison.
Acacia was and still is a fraternity at Penn State and other campuses. At PSU, they were a very short walk across a tree studded lawn away from my fraternity house. They were considered a major house at the time, and I'm told had great parties (I have never to this day been inside that I remember.)
April 12, 1986: that was the date of the annual Phi Psi 500 that year. Phi Psi is half a block away from Acacia, and they scheduled the band that day to ensure a huge crowd- which they got. (I described the Phi Psi 500 in detail HERE.) It was a beautiful sunny day, everyone was festive due to the Phi Psi, and Space Goop was on stage.
I didn't transfer to Penn State until that August, so how would I know all this? Three reasons. The first was that Collegian article. The second was by reading accounts by people who were there (on facialbook.) The third? Well, that's the topic of this post.
Someone plugged into the soundboard, and recorded over a little over 90 minutes of the show (which lasted a good part of the day, as well as continuing inside that night.) Back then, recording technology meant... TAPE! For you kids out there, there were these things called "tape players" and they were the preferred method of listening to recorded music at the time. Compact Discs were available, but really expensive (and non-recordable.)
By the time I arrived at Penn State that August, that recording spread all through the Greek community if not all of campus. Everyone who was anyone had a copy. I heard it at apartment parties and at least once in a dorm party. At my fraternity, the guys would put stereo speakers in the front windows of the second floor, and that fall, the music was either Grateful Dead (usually Dead Set) or Space Goop at Acacia (SG@A). I managed to tape a copy off of one of the brothers (I think his was a third or fourth generation copy) and I listened to it a lot during my college days. Sometime after graduation I lost the tape. Maybe I loaned it to someone- I don't know. Point is that by 1991, it was gone.
Fast forward decades. On Facialbook is a group for Penn State alumni... of a certain... vintage... (primarily 60s-early 90s) on which we share memories, swap stories, post pics, etc. SG@A came up occasionally in stories and such, and at least one person (me) would ask if anyone could make a copy of it for me.
Last week, Brian Hulek messaged me. He was the Acacia Social Chair at the time who put together that party, and, more importantly, he was the guy who made that recording. He previously had no idea of what happened to the original tapes. However, apparently... they were FOUND! He digitized and uploaded them. He then reached out to offer me a copy. I asked how much and he replied "No $$$. We share the joy! I am insulted!" (followed by a winky face emoji.)
In any case, he sent a copy, which I eventually figured out how to download into my iTunes. Then, I listened.
First off, the whole recording he sent was a good 30 minutes longer than the one I had. The song that started my tape was "Can't You See?", which was over a third of the way through the set. More importantly- it was a clean copy! Second generation at worst! The sound was like being there!
This was the set list:
1. Fire on the Mountain
2. Southern Cross > I'm a Believer
3. Walk on the Wild Side > You Can't Always Get What You Want
4. Dead Flowers
5. Can’t You See
6. Gilligan’s Island > Good Lovin’
7. Not Fade Away > Who Do You Love?
8. Roadhouse Blues
9. Southern Man
10. Young Americans
(set break)
11. Me and Julio Down by the Schoolyard > Day-O
12. Truckin’
13. Nature Calling (Space Goop Original)
14. Down on the Corner
15. Yellow Submarine
16. Roxanne
I was in Heaven! I sent him the following: (edited for punctuation and clarity):
"Listening to it gave me an intense pang of (nostalgia?) It brought me back to a time and place now so long past. I was not at PSU when this party happened- I transferred up in Fall 86. However, that semester everything was so new, exciting and different. One of the biggest differences was my fraternity (I joined at Drexel.)
One of the best memories was this music. It seemed EVERYONE in the house had a copy, and it was blasted from the speakers placed in the front windows on beautiful days those first few weeks. Of course, by then, Goop was gone, so I never saw them. But the idea of Goop- a party band full of life, and a party on a lawn with students drinking, dancing, and loving their youth- always stayed with me.
I was adjusting to a new reality in a wonderful new place and had so much ahead of me- so many incredible memories yet to be made. Space Goop at Acacia will always be a time capsule to that time, and THIS is what you've returned to me: that music and all it means to me. Thank you, from the bottom of my heart."
He sent me the following back:
Little known fact- The agreement I made with the band was 1 long day set then 2 sets inside at night. After the long day set was concluding, we were having way too much fun to stop. I wasn’t going to change the night schedule so I ran in the house and without authorization wrote the boys a check for another $500 to keep playing. After the night session we partied with the band til sunrise!
So, not only did I get the music, I got a bit of of the story with it! He also sent some pictures, some of which appear in this blog entry.
As I mentioned, Space Goop broke up over the summer of 1986. One member, J.R. Mangan, went on to form Stolyn Hours, which became one of the top bands in State College. They released an album as well. The other guys played as Ticapoo Brain before disappearing from the State College scene. J.R. stayed in State College, and has owned the Cafe 210 West for some time now (still one of the best Long Island Iced Teas ever!)
It's been 34 years since that day. Listening to the music, I wonder what people who weren't there (or never heard of the band) would think of it. I think it held up well. My roomie/bestie Linda thought it was quite good. The songs are still classics (except for the one original, the reggae influenced "Nature Calling") and the renditions are quite inventive, including dropping the Hokey Pokey into Truckin'. Some of the on-stage patter is... um... dated (a few of the comments wouldn't fly these days) but the rest is cheerful and fun.
I write about nostalgia and my past quite a bit on this blog. Well, it's my blog and I'll write what I want to, write what I want to, wriiiite what I want to. I guess I'm not just remembering bits of my life, but I'm still trying to make sense of it. That first semester at PSU started as a disaster, as I had only one friend, missed my ex-girlfriend, was hated by most of my new fraternity brothers, and ended up working back at Burger King for money. However, by October, things turned around and became absolute magic (mainly due to a pair of girls I met.) I still see that as the best semester at PSU, as everything was still so new and fresh and full of firsts. Also, it ended with the Nittany Lions winning the National Championship over the Miami Hurricanes.
Writing this, I wonder what happened to the people there. Who was the drunk girl shouting for a song to be dedicated to her sorority (Chi O)? She's probably a mom or even a grandmother by now. Did any couple who eventually married meet there that day? Does anyone really have a clear memory of it?
Still, I wonder how things would've been different if I DIDN'T have my "dark secret" to hide- if I'd just been cisgender like everyone else. Or, for that matter, if I'd been born completely female. I'll never know those answers obviously.
I'm back at Penn State now, decades later, living my Truth as a woman, albeit a woman of a certain age. Like all people of my... vintage... I have my memories. Many of my best (and a few of my worst) were here at Happy Valley, and I'm making new ones frequently, as well as occasionally updating the faces and names of those with whom I shared that magic heartbeat in the late 80s. As I've written elsewhere, our Penn State is long gone, and lives only in our memories. Thanks to Brian, and the music of a band long passed, some of those best memories again have their soundtrack.
Thanks to Brian Hulek for generously sharing the music, and his gracious permission to use his photos and words for this entry.
I've added a second entry about this day with stories from people who were there. Find that HERE.
Wednesday, October 21, 2020
Exchange with a Professor
In an email exchange with a professor, they asked:
...a lot of other students also feel like their comments on the discussion board "aren't good enough". I think sometimes this is imposter syndrome (which is soooooo common in PhD programs) AND that I worry that this feeling prevents students from really engaging and enabling us to learn from you!
So how are you doing?
I returned the following (link added for this entry):
"Is it imposter syndrome? Maybe- but I see colleagues referencing all kinds of other authors and their TA experiences, as well as amazing turns of logic... and I ask stuff like "What do you think about that?" Also, I worry that my experiences, knowledge, and POV are so out of touch (and, to them, repetitive) that they tune me out. I seriously dread checking discussion boards in my classes (as well as my PSU email) because I fully expect to be called out as a fraud or an idiot and/or dismissed from the program.
Also, I worry about a very stark fact: assuming I get my degree 5 years after I started it, I will be 59 years old. Nobody wants to hire a new PhD of that age- period. Especially with my baggage. So, what will I do with this degree, aside from have "Dr." inscribed on an urn someday (probably with my dead name)? People like me are being murdered in the streets, and I'm discussing case studies with people half my age. I'm a relic from a different time- a museum piece collecting dust as the world falls apart.
So how am I? Can't say I'm in the best place right now. I go day by day- due date to due date. I have a presentation tomorrow in PSY 571 (postponed from last week) and a paper due yesterday (but really this Friday) to write. Sunday is my Wife's birthday (52) and Monday is my Daughter's (13) so I hope drive down to see them Friday (the only day I'm not working/in class this month) if only for a few minutes.
The PhD work is hard- but it's supposed to be, and it keeps me busy. That's a blessing.
Sorry to dump on you, but you asked."
So, in case you were wondering, that's my current status.
I took this yesterday
Sunday, October 11, 2020
Update oct 11
Why do I feel hopeless?
Wednesday, September 23, 2020
From my Old Guy Blog: Blowface
I wrote this piece when I was 40, so 14 years ago (2006-ish). The book I mention was Men of the Skull.
I'm re-posting it because it's a time capsule so to speak of who I was at that point. Drinking was one of the most important part of my life. It was part of my identity, and the cornerstone of my manhood was that I could out-drink almost anyone (German/Scots/Irish genes).
I'll insert comments here and there and they will be italicized.
I did a light punctuation/grammar edit, but that aside it's exactly how I originally posted it (I also obscured an identity.) Also, I'll close the entry by doing a "where is it now?" and such.
*********************************************************************
As I’m at a writer’s block on the book, I thought to tell you
a different albeit similar tale. It’s
really long, so I divided it into three parts.
The origin of Blowface is shrouded in mystery. Perhaps it was brought by alien life forms to the ancient Mali Empire. Is that Blowface depicted on the inside walls of the tomb of Ramesses II? Most scholars place it in the mid to late 1980s. I heard of it in 1989. It was this legendary drinking game with all kinds of strange antics and guaranteed drunken good times; the type that blackmail pictures and denials are made of.
Of course, I had to play it!
The
problem was that no one had one. The
only person who might have one didn’t drink anymore. I was told that the game boards were
disposable, as they often became beer or vomit covered. Shit.
I still haven't seen any other version, but then again, I haven't looked.
So, being young, dumb, and full of cum, in 1991 I took it upon myself to make a Blowface game. I gathered two people, like-minded, to join me. We’ll call one of them M and the other C. M had played the original many times. C was a US Ranger standing by for deployment to Desert Storm.
The Result was a game of Blowface done on a large white poster board. Previous versions were linear- you rolled dice and followed the path to the bitter end. I figured it’d last longer (more drinking) if it were a ring, like monopoly. M remembered many of the original spaces which we included, and we added new ones from our disturbed minds. We added cards that you did NOT want to draw. Physical challenges, like dancing. We had all original artwork, as all three of [us] had some talent with the pencil. We added fragments from every drinking game we knew, or spaces that had similar effects. To be safe, I had it laminated.
The cards were "Punisher" cards, most of which involved chugging multiple beers.
It sucked. No one wanted to play it more than once. No repeat playability. I mean, if you land on the “Talk like Mr. Ed and drink 6” space, that’s all you do. In any case, it was our baby, and we played it once in a while when C wasn’t overseas. Eventually, we lost interest, I got married, etc.
Jump ahead to 1996. C is getting married. Two nights before, M flies in from *************. And I have a
surprise for them- I found the Blowface board- and the pieces and Batman mask
that went with it (for the “Bat-Fuck” space.)
So the three of us played. Below,
you see the results.
M is “Bat-fucked.” C is amused by this turn of events
Yeah, I was first to puke. I lose!
We agreed that the game was a lot
rougher to play at our advanced ages (I was turning 30 the next day) and C had
a great idea. On that same day, twenty
years hence we would play the game again.
He was given custody of board and pieces (but not of the Batman
mask. That was fucking expensive.) I have not seen Blowface since, nor do I
expect to. See, C moves around a lot,
and so I’m sure Blowface disappeared into oblivion during one of those moves.
I still have no idea if it still exists.
Part 2
Years passed. History became legend. Legend became myth. Then, at a company Christmas party in 2002, I
talked about the game to some co-workers.
GW was a drinking company then- lots of people from the
So I did. First- what did I NOT like about the last one. Well, several things.
One: We made it on white poster board. This meant that there was a lot of white space (duh). In fact, it looked like a bunch of scribbles on a big poster board. It was ugly as hell. Two: as three of us worked on it, there were three different styles of handwriting on it, some of which was small and illegible. Especially when smeared, which it was. Three: Some of the spaces forced chugs and chugs and chugs. One space could wipe a person out. (See picture above). Four, there wasn’t enough goofy shit. The reason for drinking games are to 1) prove yourself and 2) laugh a LOT. Aren't games supposed to be FUN as well?
Ok. Fix number one: instead of white poster board, I used black. That would mean that all artwork would have to be attached, which led to Fix number two: create the spaces on the computer to be uniform size and font. Everything neat and legible. The art would be painted onto the board or pictures would be drawn (or color photocopied) and attached. Fix number three: Simple enough. Eliminate the really ugly drinking spaces. Well, most of them. I kept the deepest pit of Hell.
I wrote out all my possible ideas, made some sketches, and thought of other things. How to make it more interactive? Add spaces that involve everyone- but make them special. Also, I stole from an old GW game (Curse of the Mummy's Tomb) the idea of a piece that everyone moves: the Chug Monster.
The Chug Monster was simple enough. If it passes over your piece, you drink. If it lands in your space, you chug. If you rolled doubles, you moved the Chug monster. (Talisman Reaper expansion, as well as other games, also use the concept.)
I also added a short cut- the “
The objective of the game remained
the same: collect Golden Chair passes.
To go to the bathroom, you’d have to use a pass. The new version made it easier with the short
cut and two other possible spaces. Like
the old game, there is a section called Hell, but it’s not as bad (no “chug 1d6
beers”). To balance it, the opposite
corner is Heaven. Mr. Ed stayed in the
game, as did Captain Kirk, but those spaces were adapted to provide more
variety. Instead of everyone who lands
on that space doing the same silly voice, a die roll would determine what voice
the person would do. (similar to Talisman) There are three of
those spaces. I also added spaces that I
stole from another GW game- places to “explore” by rolling a die for various
possible effects. (Talisman, again.)
I decorated the board with copies of
pictures that I had of friends and other stuff.
In the end, the whole thing looked like this:
Colorful, isn’t it? The shine you see in the pic is
lamination. I didn’t want it getting
ruined.
The lamination and color photocopy cost me $50!! I did the color photocopy so I'd have a backup copy, and to make it look "smoother."
Here’s a close up of Hell.
Heaven and hell were hand lettered. Flames, arrows, and that thing in the corner (“Deepest Pit of Hell”) are all hand painted using acrylics. The devils were coworkers at the time, from Halloween parties.
Here’s Heaven:
Same thing: hand painted acrylics. Photocopies of pictures. The angel is the wife of a co-worker. In any case, you can see what some of the spaces are like.
Here are the cards I made:
So- I had the board, I had cards,
what next? Playing pieces! Working for a miniatures company, I figured
that everyone who played would be co-workers and expect some miniatures as
gaming pieces. So I modified a few
models to be holding Beer Mugs and painted them. I then cobbled together a Chug Monster. However, after a few games, people complained
that the Chug Monster didn’t stand out- it just blended into the
background. It was a Chug Wuss. So, in response to that I made a New &
Improved Chug Monster.
Above (L-R): Pirate with Beer Mug,
Chug Wuss, Chug Monster
Rear view, in case you like Chug Monster Ass
So then I tested it. I called a gathering of souls to my house and
we played a few times. It was a
I tried to set up a group of
So the game floated around
That therefore is the story of
Blowface II: my drinking game. I’m now
40 years old. Would I still play
it? Is it something I should grow out
of? Well, HELL YEAH and maybe. I’m sure that playing it would crush me for
several days, as I don’t recover as gracefully as I used to even a few years
ago.
The person who made that game was so different to who I am now. I no longer have to "prove my manhood." I also don't drink to deaden the howling Pain of my life. My DUI has a lot to do with that as well.
Still, it LOOKS like fun...