Ok, thanks to input from viewers like you, I've revised the prologue a bit.
Opinions welcome. Please.
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Prologue 2025:
Let me tell you a story.
I’ve fought to save lives.
I’ve knelt in kitchens, compressing chests that didn’t want to rise. I’ve crawled into wrecked vehicles trying to stop people from bleeding to death. Run into flaming infernos searching for anything living to save.
But there was one life I couldn’t save — nor did I want to: my own.
So here we are: the revised, updated, now-with-Pine-scent prologue to a book you never read in the first place. This book shows how I buried myself alive in brotherhood, beer, and basement dive bars. Somehow, decades later, I finally dug myself out.
Everything you’re about to read happened. Or most of it did. The memories are real, even if the edges have blurred. The names have been changed — some out of respect, some out of mercy, and some to protect the guilty. Some people are composites of several personalities. I haven’t exaggerated. If anything, I softened it. Like Obi-Wan said: it all depends on “a certain point of view.”
This is the story of my college years — two universities, two fraternities, two lives. One of them was real. The other was the one I tried desperately to live, with mixed results and regrettable wardrobe choices.
In the 2008 prologue, I asked:
"Why in the world would I write about my college years? Who gives a damn? Is it a therapeutic assignment? An attempt to exorcise demons? To recapture the 1980s of my quickly ebbing youth? Maybe all of the above. Mostly, I just wanted to get it all straight in my head. To learn from it."
That was 2008. And it was true — or at least the truth I could admit at the time. What I didn’t admit then was that I was in Pain. A deep, howling, soul-level Pain I couldn’t name. I tried to drink it to death. Didn’t work. So I tried to write it to death.
Then came Halloween 2008.
I dressed as Lois Lane for a party — my wife as Clark Kent. I knew what was trapped inside me — my dark secret — but I’d managed to control it, erase it, for twenty-five years. I would be fine. Wouldn’t I?
Nope.
The psychic wall I’d built crumbled. Driving home after drinking way too much (Wife and daughter drove separately), I felt at Peace. All the pain, the anger, all of it… gone. I looked down at my chest, expanded by a birdseed-filled bra, and knew — I was in trouble.
I finished the first draft in summer 2008, sent it to agents and publishers. Some were politely uninterested. Some not so polite. Mostly I heard nothing. Meanwhile, the Pain kept growing. Not even my newborn daughter’s smile could assuage it.
Fast forward to March 2014. I’d been to therapy, support group meetings, thrown out of the house, lost a dear friend to suicide, almost followed her, stopped lying — and Lance died. What emerged from the ashes of a ruined life was Sophie — the person who had been silently screaming for decades. I’ve also done a lot of writing: a blog detailing my transition, online columns, even The New York Times. The voice I found writing this book was honed along the way.
This isn’t a trans memoir in the traditional sense. I don’t come out in Chapter 3 with a triumphant montage and a power ballad playing in the background. There’s no makeover moment, no wise mentor (okay, there was one, but she doesn’t appear in this book), no tidy resolution. Most of the people around me back then would’ve laughed — or worse — if I’d said the truth out loud. So I didn’t. I joined a fraternity. I chased girls. I learned how to chug beers and bury feelings deeper than a Springsteen song. I tried very, very hard to be what I thought a man was supposed to be.
Spoiler: I wasn’t very good at it.
I didn’t write this book to make myself look good. I couldn’t if I tried. I was insecure, needy, petty, cowardly, and cruel when I thought it would keep me safe. I hurt people. I ghosted people. I threw good things away because I was afraid someone would see through me. And I hated myself for it — for lying. To everybody. For my silence.
I hated myself a lot.
But that silence, that pretending — it’s part of the story. It shaped every relationship, every misstep, every small triumph. If you read between the lines, you’ll see the cracks. You’ll hear the longing. You’ll understand the “shame” I couldn’t name because I didn’t have the words. Or the courage.
That’s the real reason I’m telling this story now — because it’s not just mine. It’s about being the outsider. About wanting to belong so badly you forget who you are. About regret, hope, and the small mercies that keep us alive.
And if you were there — if you knew me then — I hope you’ll read with grace. I don’t write this to embarrass anyone. I write it because the past deserves to be told honestly. Because I’m tired of pretending. Because for all its flaws, this story is mine. And if you deserve an apology, as some do, please know how sorry I am.
The story is about brotherhood. About desire. About trying to belong in a world that felt like it was never built for someone like me. It’s about growing up in the 1980s, under Reagan, AIDS, and the eternal war between cassettes and vinyl. “Tastes Great” and “Less Filling.” It’s about Skull House and Crow House, about parties, betrayals, and those tiny moments of connection that made everything bearable. It’s about the people who shaped me, whether they knew it or not — and probably wish they didn’t. It’s a love letter and a requiem to a decade and a place — both more magical as time distorts memory.
It’s about a boy who thought he was writing a coming-of-age story searching for answers, and a woman who finally found her way back to finish it decades later. As Dylan wrote “We always did feel the same we just saw it from a different point of view...”
And yeah, there’s Music. Always Music. If you want to understand the 1980s, you need to hear the beat. The Devil Inside that moved us all.
What you’re about to read is what I wrote Before, with a needed heavy edit, and with commentary and observations from After. That After solved the puzzle after buying all the vowels. That After has no more secrets. And between that Before — and that After — that’s where the Truth awaits.
Let me tell you a story.
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